DOUBTLESS, MUSIC INFLUENCE WITH ALL ITS SUBSETS, WHETHER INSTRUMENTAL OR MUSICAL CHARTS AND SCALES, SONGS OR ANY KIND OF ETHIC PERFORMANCES, EPITHETS AND BOOKS ABOUT MUSIC, SINCE A LONG TIME AGO WAS ON GOING IN IRANIAN CULTURE AND THIS INFLUENCE ON WELL-KNOWN POETS OF IRAN, VERSE AND PROSE OF DIFFERENT PERIODS OF TIME IS UNDENIABLE. SAADI SHIRAZI'S POEMS AND VERSES AS ONE OF IRAN'S PROMINENT BELLETRISTIC EXAMPLES, INDICATES THAT HE WAS AWARE OF IRANIAN MUSIC'S QUIDDITY. THIS MAJOR BENEFIT WILL INTRODUCE HIM NOT ONLY AS POET BUT WELL- KNOWN MUSICIAN AS WELL. THIS ARTICLE IS AN EFFORT TO INTRODUCE A NEW POINT OF VIEW TO SAADI'S UNSEEN SECRETS OF VERSES AND POEMS FOR THE FIRST TIME. SAADI'S TIPS AS WORDS, LIKE; QAWWAL (CHOIR), HAFEZ (RETENTIVE), SONGSTER, PREACHER, MUSICIAN, DANCE, ANY OTHER KIND OF MINSTREL WORDS AND ALSO NATURAL SAMA, SPIRITUAL SAMA, CELESTIAL SAMA, DUTY SAMA, CLEMENT SAMA, PERMISSIBLE SAMA ARE EXPLAINING THAT IN SAADI'S VERSES, MUSIC IS PERFORMING AS A MAIN ROLE, IT MEANS NOT ONLY BEING IN VERSES TO BALANCE THE RHYME BUT ALSO MEANINGFUL IN SAADI'S WORDS.